robin_anne_reid: (Default)
This page will stay at the top of my journal to serve as a links page on my Racefail Scholarship.

ETA: To clarify a few points that are confusing some of the anons at Fail_Fandomanon.

1. I have never posted any sort of survey on that meme, or anywhere else on the internet, except for The only survey I ever did for fan scholarship. I am not a sociologist, nor an anthropologist, nor am I doing that sort of scholarship. (If you look at the survey, it's about reading preferences.) I do have training in sociolinguistics and stylistics which is what some of my scholarship in this journal is connected to. My work does not require any sort of demographic information, and when I have quoted individual fans in previous work (in regard to any issue, or analyzed their fiction, or icons), I have asked and obtained permission. Doing a data collection of anonymous and public posts on the internet which will result in quantitative and (perhaps, if we include a statistician on the team) statistical analysis does not require permission (and that has been determined by my university's IRB).

2. This one confuses me: Yep, I cite FFA as ONE entry on a "Works Cited" list. "Works Cited" means "any text cited in the paper," not "only academic works although those are cited too." If I analyze a Robert Frost poem, it's on the Works Cited list. If I'm analyzing patterns of topics in FFA, it's by gosh on the Works Cited page. /ETA

Repurposing my Academic Journal

Racefail 09 as Pilot Project

Info on corpus linguistics, corpus stylistics, digital humanities

Selected presentations on racism imbroglios in fandom

First presentations I did on racism imbroglios in fandom (predated Racefail 09).

Color Blind Racism in Racefail 09

Proposal/Abstract for Conference Presentation

Handout for Conference Presentation Remember: Pilot Project

Two proposals being considered for 2011 conferences

Chapter proposal for collection (has been accepted): White Privilege: I'm Soaking in it ETA: While the proposal was accepted, the editorial changes required started to take the work into a whole new direction requiring more work, and so I withdrew it from consideration.

Abstract and Handouts for "What do you mean 'pleasure', white man?" (given at University of Bristol conference):

What do you mean "pleasure" White Man?
Pleasure Table 1-2-3
Pleasure Table 4
Pleasure Table 5

There has been major growth in fan studies (and even more in internet studies--a much larger field of study) in the last few years. It's been a while since I did searches, so I've been doing some, and here are the results.

Caveat #1: I haven't read all these. I won't read them all. I will find some that look relevant to my areas of interest and read them.

Caveat #2: Mostly peer-reviewed scholarship. Just as "art" does not mean "good" or "literature," "ditto," the same is true here.

Part I: Overview of Peer-Reviewed scholarship on Fan Studies

March 6, 2011 search in Academic Search Review.

Part II: Overview of Peer-Reviewed Scholarship on Fan Studies.

Mostly MLA, mostly focusing on fan fiction and the vidding scholarship small as it currently is.

Part III: Overview of Peer-Reviewed Scholarship on Related Topics

Social sciences databases, Internet Communities and Participatory Culture.

March 2011 Presentation (Writing Democracy)

Working Draft: Pilot STudy (Public/Private/Local/Global)

Table One: Alphabetical List of TOpics

Table Two: TOpics

Table Three: Comments
robin_anne_reid: (Default)
Another View on the State of Tolkien Criticism Today

The L. A. Review of Books published an essay on "Tolkien Criticism Today"by Norbert Schürer.

In 2800 words, Schürer discusses seven critical publications (from a variety of publishers) published from 2013-2015.

The seven publications are: Tolkien Among the Moderns (2015), University of Notre Dame Press; Tolkien in the New Century (2014), McFarland; Arda Inhabited (2014), Kent State University Press; Tolkien's Sacramental Vision (2014), Second Springs Books; Tolkien The Forest and the City (2013), Four Courts Press; Light Beyond All Shadow (Reprint 2013), Fairleigh Dickinson University Press; and A Companion to J. R. R. Tolkien (2014), Wiley Blackwell.

His conclusion, based on this incomplete group of publications, is that Tolkien criticism today is in a "sad state" (para. 4) with few exceptions (he lists Jane Chance, Michael Drout, and Verlyn Flieger as the excellent exceptions). The reason for this "sad state," he claims, is:

Academic literary criticism has long been caught between these two versions of Tolkien — the difficult litterateur and the successful populist. On one hand, critics do not want to be seen as fawning fans, so their writing adopts a scholarly tone. On the other hand, they want to appeal to fans, so they have to cater to popular sentiment. They need to address controversial topics, but they cannot attack the author if they want to find readers among fans, and while they often try to address the entirety of Tolkien’s published imaginary writings (known as the legendarium) they can only rely on readers being familiar with The Lord of the Rings and The Hobbit, and often only in cinematic form (para. 3).

He approves (somewhat) of Tolkien: The Forest and the City but considers the Companion to be the best and to also supply "academic cachet" (para. 22).

Not surprisingly to anyone knows me, I completely disagree with his assessment of the state of Tolkien Studies generally. I believe some of the critiques he levels against Tolkien Studies are true of all bodies of literary criticism. In other cases, I argue that he is simply ignoring evidence that would contradict the he has made, claims that are inflated and unsupported by any evidence whatsoever.

Read more... )
robin_anne_reid: (Default)
I've been taking note at the sessions I attended at this year's Popular Culture Conference.

As before, with my MLA notes, these are my rough notes, just basically proofed, and my sense of what I heard. They cannot be considered authoritative/checked/edited/reviewed by speaker!

This conference was incredibly fantastic--the variety, scope, and sophistication of the presentations in the Fan Culture and Theory area was dazzling, and the other areas I managed to catch a session or two in were equally good.

This was a session cosponsored by the Romance Studies and Fan Studies area on the ethics of scholarship in fan and romance studies.

Uneasy Pleasures )
robin_anne_reid: (Treehouse)
Finishing up my posting on sessions! As before--transcribed, lightly edited!

Classroom as Interface )
robin_anne_reid: (Treehouse)
This presentation included powerpoints for all three, images, and, in the last presentation, a lot of graphs and statistical information. It's challenging to try to 'render' that in typed text (as opposed to a presentation that is delivered entirely verbally), and I'm not sure how good a job I did!

I don't teach languages, but I wanted to get notes from this session for my department's language faculty.

As I said earlier, rough notes, spellchecked and slightly edited, but probably less clear in some places due to my disciplinary ignorance.

60. Learning Outcomes in Online Second-Language Environments )
robin_anne_reid: (Treehouse)
Notes from MLA Sessions on or related to Digital Humanities at 2013 MLA.

Disclaimer: while I've done spellchecking and basic corrections, these are very raw. There are sentence fragments; there can be some slippage from first person to third person (I type while listening!) for the speaker, and there are some terms/words I did not catch or do not know how to spell. But I've learned from past situations, if I try to polish, these notes never get pubished.

So, they're rough.

Expanding Access session )
robin_anne_reid: (Default)
My Dean started a College IT committee, for faculty in our college to develop projects that are disciplinary specific and informed by technology (of all sorts). So he's funding us to go to an appropriate professional conference, develop a pilot project, and then teach it. I have two ideas (will talk about a bit later!), but here's a list of the MLA conference sessions I'll be attending over the next few days. I plan to post notes from the sessions here as well!

cut because of length )
robin_anne_reid: (Default)
Since the MLA conference, I've been doing a lot of other work, including administrative stuff (mostly, writing reports after being on committees, or sometimes, just writing reports).

Grant writing is much more fun! I'm teaching a graduate course on grant writing this fall as well which is very exciting--no textbook--there are none for academic grants that I've found that I've liked--so I'll be directing students to all the resources online, and helping them find grants that apply directly to their scholarly and or creative work that they can apply for, and then that will become the basis of their work for the class. We have a new Vice Provost for Research (Compliance) and Dean of Graduate Studies, and I'm excited to be working with her--she was interested to hear about the grant writing class since that's something she started at her previous university.

The other day, I got together with my linguist colleague to go over, in detail, the reader reports from the National Endowment for the Humanities on our (unfunded) Digital Humanities Grants. The reports, as is always the case with NEH, are incredibly useful, and we brainstormed a whole bunch of changes, and assigned some writing tasks.

Behind the cut are my drafts for the Abstract; Statement of Innovation; and the Significance and Contributions to the Humanities. I'm posting this small amount of text with the permission of my colleagues.

Digital Humanities Start-Up Grant Materials due Sept. 27, 2012 )
robin_anne_reid: (Dragon)
I am teaching an undergraduate grant writing course for the second time, and will (perhaps! depending on scheduling issues) be teaching a grant writing course on the graduate level (humanities, social sciences, and arts only) next fall. One of the discussions that comes up a lot with my students is the frustration many of the best students have at not getting it "right" the first time. I talk about the process (and my grading is based on a modified portfolio version where the first drafts, worth very little in point value, are given 100% for effort, and lots of feedback for revision--multiple revisions). I am planning on sharing the link to this post with my current (and perhaps future students), because it concerns a grant project that I have been working on for some time: a Tolkien Stylistics Corpus project.

I might have just posted in the class, as I've done before with work, but I think there is so much mystery about the grant-writing process in general that the materials here might be of interest to other humanities scholars who want to work on grants.

I include information on the NEH grant categories I wrote for; my grant narrative; some screenshots of what the data looks like in the UAM Corpus Tool which I'm using; and the reader reports--direct from the NEH (they are anonymous of course) that explain the reasons my first draft (and by "first draft" here I mean "first draft submitted" not first draft written--I probably wrote about six drafts along the way--I'm not as careful as I used to be about saving each distinct draft with a number) were not funded. One of my linguist colleagues who is working with me on other grants was surprised at the tone of the comments--apparently linguist evaluators are nicer! I've been hearing since 1965 how trashy and popular and bad Tolkien is, and since the early 1990s how crappy my scholarship is for dealing with science fiction, fantasy, etc. that I'm more or less immune to it, so don't mind sharing. Additionally, in between some of the people who clearly think Tolkien OR stylistics OR both are worthless are some excellent responses that give me a lot of ways of re-conceptualizing and re-working the project (I always tend to take on TOO MUCH) over the next few years.

I like that the NEH sends the reader reports out on request--though odds are the review committee for later grants will be different, there are useful suggestions here that will apply no matter the make-up of the committee.

So, without further ado, my Tolkien Corpus Grant Materials!

the NEH grants I applied for )


samples of data from the UAM Corpus Tool )

Fellowship Reader Reports )

Summer Stipend Reader Reports )

My plan for revisions )
robin_anne_reid: (Default)
I am doing a presentation in the 2012 Tolkien at Kalamazoo area, at the International Congress of Medieval Studies, in May, 2012.

The purpose of this post is to invite women who are 18 and over and who are readers or fans of Tolkien's work and/or teachers who have taught Tolkien's work, and/or scholars who have published on Tolkien's work to answer a few open-ended questions about their reasons for enjoying his work.

By "women," I mean anybody who identifies as a woman.

By "Tolkien's work," I mean any of his published novels, stories, poems, or academic essays.

I will not be collecting any personal or identifying data, nor will I be attempting to make any correlations or connections between people's identity or social group and their enjoyment of Tolkien's work in this study.

Participants may reply anonymously, use a pseuodonym of their choice, or provide their legal name (or any variant of it) on the Dreamwidth site set up in connection with this project (

This project has been reviewed by my university's Institutional Review Board; full information is available on the home page at the Project journal.
robin_anne_reid: (Default)
 Behind the cut is the text of my MLA 2012 presentation that was part of a special digital humanities session I organized--it reports on the work I've been doing with colleagues the past year or two, mostly connected to grants which have been submitted to the National Endowment for the Humanities (rejected!), and grants which will be submitted in the next year to the NEH, and the National Science Foundation.

robin_anne_reid: (Default)
As of January 1, 2012, I will be posting only on my Dreamwidth account.

The Livejournal will be inactive.

All entries here will continue to be public.
robin_anne_reid: (Lilacs)
This post is very different than the other posts in this journal, but I want to spread this news as widely as I can.

Last July, one of the students whose doctoral dissertation I directed (and who had lined up a university position) was shot by her ex-husband. She had three children, and worked fulltime at a high school and community college to support her family while she completed her doctorate.

I've worked on my campus to set up a memorial endowment fund in her name, to provide support for single mothers doing graduate work in our department in the future.

If you are interested in her story and might consider donating, information is behind the cut.

Dr. Stella Ray Memorial Endowment )
robin_anne_reid: (Default)
I haven't posted in a while--our house flooded in April, and the summer was made even busier by dealing with ALL the stuff (new flooring installed in July!). But I've not stopped working on my projects relating to fandom, imbroglios, and digital methodologies.

Some background on ALL the stuff )

the failed NEH grant )

the successful internal grant that we hope to build on in future )


robin_anne_reid: (Default)

December 2015

  12 345


RSS Atom

Style Credit

Expand Cut Tags

No cut tags
Page generated Jul. 24th, 2016 10:17 pm
Powered by Dreamwidth Studios